World Premiere
THE HOUR OF GREAT MERCY

By Miranda Rose Hall
Directed by Rosina Reynolds

January 31st through March 3rd, 2019

This poetic new play with music follows Ed, a gay Jesuit priest who leaves the Catholic church to reconcile with his estranged brother in an isolated and icy township in Alaska. As Ed confronts his tragic past and tenuous future, he unexpectedly finds love beneath the starry Alaskan sky, and support from an unlikely ally. Introducing an auspicious new voice in American theatre, The Hour of Great Mercy by Miranda Rose Hall, is a tender, insightful and compassionate story about our collective relationship to illness, family, and redemption.

About producing this World Premiere at Diversionary, Executive Artistic Director, Matt M. Morrow says, “Oh my God do I love this play. I’m proud to produce this World Premiere by Miranda Rose Hall, a thrilling emerging playwright. The Hour of Great Mercy is one of the most compassionate plays I’ve ever read. It resolutely captures the human spirit yearning for connection, community, and redemption. This exquisitely sculpted new play reminds us how to live and love one another.”

About bringing this World Premiere to Diversionary Theatre, Playwright Miranda Rose Hall says, “I am thrilled that the world premiere of my play about community will be at such a warm, community-driven theater. It’s a great gift to be working with the Diversionary team!“

Director, Rosina Reynolds, says about working on the World Premiere, “There is something so wonderfully challenging about working on a new play, especially when you are lucky enough to have the playwright in residence. The Hour of Great Mercy is a fascinating new play. Set in the deep isolation that is Alaska, five characters struggle to be a community, to find forgiveness and to realize what truly makes a family.”

More information can be found at: www.diversionary.org/hourofgreatmercy

For interviews and photos, please contact Jenny Case, Managing Director, at 619-220-6830×103 or by emailing Press@diversionary.org

Miranda Rose Hall (Playwright) is a playwright from Baltimore, MD. Her play Plot Points in Our Sexual Development had its premiere at LCT3/Lincoln Center in October 2018. She has previously produced her work with Longacre Lea for the DC Women’s Voices in Theater Festival, Samuel French, and the DC Fringe Festival. She has developed her work with Rattlestick Playwrights Theater, The Playwright’s Realm, New York Theater Workshop, Baltimore Center Stage, Woolly Mammoth, NNPN National Showcase of New Plays, the Kennedy Center/NNPN MFA Playwrights Festival, Orlando Shakespeare Theater, and the Orchard Project. She is currently Resident Playwright and ensemble member with LubDub Theatre, a New York-based physical theater company.

Miranda was the 2013-2014 Hot Desk Playwright in Residence at Baltimore Center Stage, where she helped launch the program Wright Right Now. She has taught at Georgetown and Wesleyan University, and as a teaching artist with Baltimore Center Stage, Arena Stage, Young Playwrights Theater, and the O’Neill Playwriting Program at Yale.  Miranda spent two years with the Jesuit Volunteer Corps Northwest, serving marginalized populations in Anchorage, AK and Missoula, MT. She graduated with her BA from Georgetown University and her MFA from the Yale School of Drama.

Rosina Reynolds (Director)  Diversionary Theatre: 2.5 Minute Ride; Marriage Bed; Happy Endings are Extra; Twilight of the Golds; Beautiful Thing; Wrinkles; Another American; Asking and Telling; Gross Indecency: The Three Trials of Oscar Wilde; Breaking The Code; Lot’s Daughters. Backyard Renaissance Theatre; Zoo Story. New Village Arts: The Secret Garden. North Coast Repertory Theatre: Blithe Spirit; The Cocktail Hour; Fallen Angels; Broken Glass; Glorious; Don’t Dress For Dinner; Relatively Speaking; Importance of Being Earnest; Travesties; An American Daughter; The Sum of Us; Blithe Spirit; Corpse; Rough Crossing; Chekov in Yalta. San Diego Repertory Theatre: Bad Dates. Cygnet Theatre: Atwater, Fixin’ to Die. Renaissance Theatre: Caretaker (San Diego Critics Circle Award). Compass Theatre: Three Days of Rain. Fritz Theatre: Vigil. Gaslamp Quarter Theatre: Marvin’s Room. Founding Artistic Director of Chequamegon Children’s Theatre in Wisconsin, now in our 31st season. Productions have included Music Man; Mary Poppins; Pirates of Penzance; Into the Woods; Fiddler On The Roof; Wizard Of Oz; Oklahoma and Oliver.

Kristen E. Flores (Scenic Designer) Past design credits:The Happiest Place Earth, Cardboard Piano, Moors, Homos or Everyone in American, A Civil War Christmas, Bright Half Life and Baby With the Bathwater(Diversionary Theatre), Globe for All-Twelfth Night (The Old Globe), Eternally Bad and Fade (Moxie), God of Carnage and American Hero ( New Village Arts), Tarrytown  (Backyard Renaissance Theatre),  Almost, Maine (Onstage Players), The Last Days of Judas Iscariot (Triad Productions), Ragnarok and Red Planet Respite(Circle Circle Dot Dot)  Playwrights Project Festival. I Am My Own Wife(The New Group West) Kristen was Prop Master and Stage Master for The White Theatre at The Old Globe for 3 years. She is currently the Scenic Charge and Prop Master for San Diego State University. “I work hard so my pets can have a better life.” For more on Kristen please look on.. www.kristenflores.org

Elisa Benzoni (Costume Designer) is thrilled to be working again with Diversionary Theatre. Select credits include: This Beautiful City, The Loneliest Girl in the World, The Happiest Place on Earth, Homos or Everyone in America, Ballast, Mystery of Love and Sex (Diversionary Theatre), Sex with Strangers (Geffen Playhouse), The Who and The What, Our Town; Tall Girls; Brahaman/I; Sam Bendrix at the Bon Soir (La Jolla Playhouse); Constellations (Old Globe); Cloud 9, Romeo and Juliet, Two Gentlemen of Verona, Pericles, Prince of Tyre, Reckless, Much Ado About Nothing and Measure for Measure (USD/Old Globe); The Father, How the Other Half Loves, Of Mice and Men, Travels with my Aunt, The Illusion, Laughter on the 23^rd Floor, The Cocktail Hour, Fox on the Fairway (Nominated for a Craig Noel Award), Chapatti, Sherlock Holmes and the Adventure of the Great Nome Gold Rush (North Coast Repertory Theatre); Men on Boats, Secret Garden, Awake and Sing, Sylvia (New Village Arts); Elisa holds a costume design MFA from UCSD. www.elisabenzoni.com

Curtis Mueller (Lighting Designer) returns to Diversionary having designed This Beautiful City, Bull in a China Shop, The Happiest Place on Earth, Cardboard Piano, Homos, Well, 2.5 Minute Ride, Lizard Boy, Manhandled, Now or Later, A Civil War Christmas, Amazons and Their Men, Man Clan, and A New Brain. Select local credits include: Withering Heights, Margin of Error (Roustabouts Theatre Company); End of The Rainbow, Quality of Life, The 25th Annual Putnam County Spelling Bee, I Hate Hamlet, All My Sons, Macbeth (Intrepid Theatre Company); Big River, The 1940s Radio Hour, Seascape (New Village Arts); Chess in concert, Next to Normal, Spring Awakening (Cabaret at the Merc Summer Series). Curtis has also worked extensively with Coronado School of The Arts. Curtis holds a BFA in Lighting Design from California Institute of The Arts.

Emily Jankowski (Sound Designer)  is a Sound Designer and Composer based in Southern California. Diversionary credits: Ballast. Moxie Theater: Blue Door, Brownsville Song (B-side for Tray), Orange Julius,Lesson 443, A Discourse on the Wonders of the Invisible World, Jade Heart. UC San Diego: A Doll House, Titus Andronicus, The Storm, June Moon. The Trip: 3 Plays in a Tattoo Shop, All the Rooms of the House. Additional credits: Ex Machina (NYC Fringe ’13), The Rest of Your Life (Axial NYC). Interactive sound installations: It Should Be Breathing, an installation involving sound generating pressure sensors- a collaboration with MFA print-maker Gretchen Jankowski, Cal State Long Beach alumnus. She holds an MFA in Sound Design for Theatre from UC San Diego, and a BFA from UC San Diego in Interdisciplinary Computing and the Arts, Music. Emily is also the Radio Operations Assistant at KPBS and the Technical Director for KPBS Midday Edition.

Taylor Todd (Stage Manager) is so happy to be stage managing at Diversionary this season! Some of her stage management credits includeBull in a China Shop, Mystery of Love and Sex (Diversionary); Bachelorette, Tarrytown, Gutenberg! The Musical! (Backyard Renaissance); Father Comes Home from the Wars Parts 1, 2, & 3, Perfect Arrangement, ART, Woody Guthrie’s American Song, End of the Rainbow (Intrepid); Final Draft New Play Festival (New Village Arts); Buddy: The Buddy Holly Story (Co-production with Intrepid & New Village Arts); The Seagull (Old Globe/University of San Diego MFA); and Anton’s Shorts; Three Brief Comedies by Chekhov (University of San Diego). Credits as an assistant stage manager include Cardboard Piano (Diversionary); Parlour Song (Backyard Renaissance); Oliver! (Cabrillo Stage, Santa Cruz); and Anatomy of Gray (University of San Diego). Taylor graduated from the University of San Diego with a degree in Theatre Arts and Performance Studies

Jenny Lee (Props Designer) Props Master: La Jolla Playhouse: Latin History For Dummies, Glenngary Glen Ross, Milk Like Sugar, Jesus Christ Superstar; Associate Prop Master: Hunchback Of Notre Dame, Come From Away, Indecent, Hand On A Hardbody, Memphis, Bonnie and Clyde; Stage Management: Mystere Cirque Du Soleil; Education: American Academy of Dramatic Arts www.jennyfaj.com

Next Act!……………………………………Thursday, February 28th at 6pm
Join Director Executive Artistic Director, Matt M. Morrow for a discussion about the next show, HEDWIG AND THE ANGRY INCH  in Fritz’s Lounge for hosted hors d’oeuvres and a chance to chat before the show! Pre-Show reception at 6pm, performance at 7pm.
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