The Mystery Of Love and Sex
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November 25th – December 24th, 2016 Written by Bathsheba Doran Directed by Matt M. Morrow
As Charlotte and Jonny tumble into their twenties confronting the mysteries of their own bodies and desires, Charlotte’s parents face their own perceptions about love and happiness. Traversing years, shifting relationships and unexpected outcomes, this provocative Southern Gothic romantic comedy peeks behind the curtain of sexuality and race to illuminate secrets of the heart and the fabric of a family.This performance is approximately 2 hours with one intermission. Recommended for audiences 16 and older : Adult themes, language, and nudity.
Production Sponsor: Bob Haskell
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Matt M. Morrow, Executive Artistic Director
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Photo: Katie Falkenberg / Los Angeles Times
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![]() Proud member of Actors Equity Association |
*Appears Courtesy of Actor’s Equity Association
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[/tab][/tab] [tab title=”Creative Team”]Matt M. Morrow (Director) Since joining Diversionary, Matt has directed the West Coast Premieres of Jordan Harrison’s Amazons and Their Men and Christopher Shinn’s Now Or Later. Prior to joining Diversionary Theatre, Matt was the Associate Artistic Director of City Theatre Company, a LORT theatre in Pittsburgh dedicated to producing work written in the past five years. With City he directed the Regional Premiere of Jessica Dickey’s Charles Ives Take Me Home, the World Premiere of Tami Dixon’s South Side Stories (Pittsburgh Post Gazette & Tribune Review’s Top Ten of 2012; “…directed to crystalline point by Morrow.” -City Paper), Kim Rosenstock’sTigers Be Still (“Morrow has struck a balance between the jokey and the serious sides of “Tigers Be Still” so that Ms. Rosenstock’s simple message comes through clearly and without preaching.” -The Pittsburgh Post Gazette); and workshops of the new musical The Shadow Sparrow by Anton Dudley, Keith Gordon and Charlie Sohne, and Don’t You F*cking Say A Word by Andy Bragen for City’s Momentum Festival of New Works. He has developed new work with The Sundance Theatre Institute, The Banff Centre, American Conservatory Theater, Lincoln Center, PlayPenn, and Page 73 Productions in residence at the Yale School of Drama. His work as a director has been seen in NYC at Amas, Playwrights Horizons, Urban Stages, EST, HERE, Dixon Place, Cherry Lane, The York, The Tank, NYC Int’l Fringe, Midtown Int’l Festival, among others. Favorite credits include: SCarrie! The Musical (Bricolage Productions), Only Children (Lincoln Center), the first NYC revivals of The Falsetto Trilogy, The Most Fabulous Story Ever Told, john and jen, and Lisa Kron’s 2.5 Minute Ride (“an affecting revival” -The New Yorker, “an exhilarating ride” -The New York Sun). His production of Jennifer Haley’s Neighborhood 3: Requisition of Doom with Bricolage Production Company was cited as “breathtaking” by City Paper and in the Top Ten of 2010 by The Pittsburgh Tribune Review. Matt is currently developing Jennifer Haley’s FROGGY. He served as The John Wells Professor of Directing at Carnegie Mellon University’s School of Drama (Graduate & Undergraduate Directing programs), and is a member of the Lincoln Center Director’s Lab. He holds a BFA in Directing from Carnegie Mellon University. www.mattmmorrow.com Sean Fanning (Scenic Design) is a Southern California-based scenic designer with a career spanning over fifty productions on local stages. Previously for Diversionary: The Boy Who Danced on Air, Now or Later, Birds of a Feather, Pippin, and Harmony, Kansas. Elsewhere: Full Gallop, the Globe for All tours of Measure for Measure & All’s Well That Ends Well, A Doll’s House, Kingdom, and Plaid Tidings (The Old Globe); My Manana Comes (Marin Theatre Company); Manifest Destinitis, The Oldest Boy, Everybody’s Talkin’, Honky, In the Heights, and Walter Cronkite is Dead (San Diego Repertory Theatre); Equivocation (Lamb’s Players Theatre) Seven Guitars, King Hedley II, Gypsy, Hay Fever, The Vortex, Dogfight, The Whale, Sons of the Prophet, Pageant (Cygnet Theatre Company); Brownsville Song (b-side for tray), A Raisin in the Sun (Moxie Theatre); and The Imrov at Harrah’s and Menopause the Musical (Harrah’s Las Vegas). Sean holds an M.F.A. in Scenic Design from San Diego State University. See more of his work at www.seanfanningdesigns.com. Bonnie Durben (Property Master) Diversionary Theatre: The Boy Who Danced on Air, Now or Later, She-Rantulas, Baby With The Bathwater, A New Brain and Amazons and Their Men. Mira Costa Theatre; These Shining Lights, Romeo and Juliet, Seven, Vanya and Sonia and Masha and Spike, Urinetown. Moonlight Theatre Productions; Sister Act, Peter Pan, Titanic, Addams Family, Music Man, Shrek, All Shook Up and Big Fish. Intrepid Theatre: Who’s Afraid of Virginia Wolf, Quality of Life, Hamlet, and I Hate Hamlet. Member of the Society of Property Artisans and Managers. Karin Filijan (Lighting Designer) Previously for Diversionary: [title of show], Speech & Debate, Moscow, Breaking The Code, The Most Fabulous Story Ever Told; Off-Broadway: Sea of Souls (Ion) at Peter J. Sharp Theatre; recently elsewhere: Airline Highway, ‘night, Mother (Ion); The Elephant Man (Backyard Renaissance); past lighting designs for Moxie, New Village Arts; Cygnet; North Coast Rep; Lamb’s Players; Scripps Ranch; Playwright’s Project; 6th@Penn; Moonlight Productions; Renaissance Theatre Co; CoSA. 2011 Craig Noel Award for Angels In America, Parts 1 & 2 (Ion); 2001 Patte’ Award for body of work at multiple theatres. Blair Nelson (Composer/Sound Designer) Credits at Diversionary Theatre include: The New Century, Dooley, When Last We Flew, and The Divine Sister, A New Brain, Bright Half Life, A Civil War Christmas, and Now or Later. His new music collaborations have been curated, composed, and performed at the University of California San Diego, Calit2, San Diego Art Department, California State University San Marcos, San Diego Stage 7 School of Dance, Canvas Gallery San Diego, San Diego State University, San Diego Space 4 Art, and the Roy and Edna Disney CalArts Theater Los Angeles. Blair completed a Master of Fine Arts in Sound Design from the University of California, San Diego, Department of Theatre and Dance in 2012 and received a Bachelor of Music in Theory / Composition from Concordia College, Moorhead, Minnesota in 2007. Elisa Benzoni (Costume Design) Elisa is thrilled to be working with Diversionary Theatre for the first time. Select credits include Sex with Strangers (Geffen Playhouse), The Who and The What, Our Town; Tall Girls; Brahaman/I; Sam Bendrix at the Bon Soir (La Jolla Playhouse); Constellations (Old Globe); Pericles, Prince of Tyre, Reckless, Much Ado About Nothing and Measure for Measure(USD/Old Globe); The Cocktail Hour, Fox on the Fairway (Nominated for a Craig Noel Award), Hedda Gabler, Chapatti, Sherlock Holmes and the Adventure of the Great Nome Gold Rush (North Coast Repertory Theatre); Emilie, Sylvia, Much Ado About Nothing (New Village Arts); Snakeskin, Lifeblood Harmony, Chagall; A Man Found Wanting (Malashock Dance); The Storm; The Threepenny Opera; A Man, His Wife, and His Hat (UCSD). Assistant costume credits: Dialogues des Carmelites (Teatro Petruzzelli, Bari), Paradise Found (Menier Chocolate Factory, London), Milk Like Sugar (La Jolla Playhouse), As You Like It, Midsummer Night’s Dream (The Old Globe). Elisa holds a costume design MFA from UCSD. www.elisabenzoni.com Taylor Todd (Stage Manager) is so excited to be stage managing her first show with Diversionary! Some of her selected technical credits include stage manager for ART, Woody Guthrie’s American Song, and End of the Rainbow (Intrepid); Gutenberg! The Musical (Backyard Renaissance); The Seagull (Old Globe/USD MFA), Anton’s Shorts; Three Brief Comedies by Chekhov (USD); assistant stage manager for Parlour Song (Backyard Renaissance), Oliver!(Cabrillo Stage), and Anatomy of Gray (USD); and production manager for Gruesome Playground Injuries and DOG SEES GOD: Confessions of a Teenage Blockhead (USD). Taylor graduated from the University of San Diego with a degree in Theatre Arts and Performance Studies.Scott Amiotte (Master Carpenter) Chloe Clark (Lighting Assistant) [maxbutton id=”38″][/tab]
[/tab] [/tab] [tab title=”Promotional Photos”]Photos by SIMPATIKA. [maxbutton id=”38″][/tab] [/tab] [tab title=”Press Photos”] [Best_Wordpress_Gallery id=”15″ gal_title=”The Mystery of Love and Sex- Production Photos”] [maxbutton id=”38″] [/tab] [/tab] [tab title=”Calendar and Special Events”]Performances run Thursdays at 7pm, Fridays and Saturdays at 8pm, and Sundays at 2pm. More information can be obtained by calling our box office at 619-220-0097.
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“Doran’s funny and slyly original play, now getting a smartly realized San Diego premiere at Diversionary, earns its surprises by the way they’re rooted in the very human struggles of its characters. You will love spending time with these people.”
“It’s also a showcase for VanWormer’s winning way of conveying the fervent (if sometimes misguided) passions that drive Charlotte; the versatile San Diego stage favorite’s committed and physically dynamic performance gives the show its heart.”
“Sean Fanning’s playful, ever-shifting set combines with Karen Filijan’s lighting to inject a sense of the slightly dreamlike.”
“Mystery” stretches to take human complexity into its open-hearted embrace.”

“The Mystery of Love and Sex stands out as a refreshing burst of theatrical life not often witnessed, in San Diego or anywhere, and the team at Diversionary rises to the occasion to create an exceptionally entertaining and uplifting evening at the theater. An exceptional cast, snappy writing, and polished production elements bring to life the complicated nature of interpersonal relationships between family and friends in Bathsheba Doran’s The Mystery of Love and Sex.”
-The San Diego Story
“Perfectly wonderful! It is tender, funny, packed with humanity and brimming with surprising revelations. Bathsheba Doran has written a play with such compassion and wry wisdom that I emerged from the theater into yet another frigid day feeling warmed from within. Ms. Doran’s drama is so packed with humanity that it seems infinitely larger, like a chart depicting the sexual and emotional anatomy of us all.”
-The New York Times
The New York Times Top Ten Plays of 2015.
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