The Pride
Critical Acclaim for The Pride
“The Pride is a touching and structurally ingenious examination of changing attitudes in Britain towards homosexuality.” –The Daily Telegraph
“…such engrossing handling…it’s truly remarkable” –Variety
“…a heartfelt work…thought-provoking observations about cultures of repression and openness” –The New York Times
Synopsis:
The Pride is a time-shifting exploration of identity and passion. Oliver, Philip, and Sylvia are caught in a love triangle. Their complex and tumultuous relationship shifts from the repression of 1958 to the sexual liberation of 2008 and back again. Characters in the past and modern-day share the same names and are played by the same actors. It starts in 1958 with Philip, an uptight estate agent, and his wife Sylvia, who are entertaining a young novelist, Oliver. There is an unspoken but palpable tension that results in a passionate and guilt-ridden affair between Philip and Oliver. Sylvia is filled with deep loneliness and caught in a loveless marriage. In 2008, Oliver is a sex-addicted journalist who longs to get back together with his ex, Philip. Sylvia plays the friend stuck in the middle.
2011 Craig Noel winning director Glenn Paris (Angels in America part 1 and 2) directs this thought-provoking look at love, betrayal, and personal pride by Alexi Kaye Campbell. Featuring four of San Diego’s most acclaimed actors, Francis Gercke (Philip), Jessica John (Sylvia), Brian Mackey (Oliver), and Dangerfield G. Moore (Doctor, Man, Peter).
The design team includes Matt Scott (scenic), Michelle Caron (lighting), David Medina (props), and Trista Roland (costumes).
ALEXI KAYE CAMPBELL (Author) first produced play ‘The Pride’ premiered at The Royal Court Jerwood Theatre Upstairs in November 2008 in a production directed by Jamie Lloyd. It was awarded a Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre and
the John Whiting Award for Best New Play. Alexi was also awarded the Critics Circle Prize for Most Promising Playwright. ‘The Pride’ was consequently produced by MCC Theatre Off-Broadway in a production directed by Joe Mantello and received its regional British premiere earlier this year at the Sheffield Crucible Theatre. ‘The Pride’ has been performed in many countries across the world, including Japan, Belgium, Greece, Sweden, and Germany. Alexi’s second play, ‘Apologia’ was first produced at The Bush in June 2009 in a production directed by Josie Rourke. The play was short-listed for the John Whiting Award and nominated Best Play at the Writers’ Guild Awards 2009. It was consequently produced at Melbourne Theatre Company in Australia. His third play ‘The Faith Machine’ premiered at the Royal Court Theatre in August 2011. Alexi is currently writing plays for Hampstead Theatre and the Royal National Theatre and working on a feature film for the BBC. As an actor, Alexi has worked extensively in theatre across Britain.
FRANCIS GERCKE (Philip) has appeared in theatre productions throughout San Diego including Proof, The Merchant of Venice, In the Next Room, In the Wake (San Diego Rep); Cat on a Hot Tin Roof, Love Song, Tragedy of the Commons, Desire Under the Elms, Our Town, The Glass Menagerie (Cygnet Theatre); A Life in the Theatre (NCRT); Hurlyburly, Grace (ion theatre); True West, Orphans, Three Sisters, A Hatful of Rain, The Only Game in Town, The Waverly Gallery, Nocturne, Playboy of the Western World (New Village Arts). Directing credits include A Lie of the Mind, Three Sisters, Playboy of the Western World, A Hatful of Rain, The Only Game in Town (New Village Arts); Mauritius, Dying City, The Man from Nebraska, Curse of the Starving Class (Cygnet Theatre). He is co-founder and former artistic director of the theatre company New Village Arts and the former associate artistic director of Cygnet Theatre. He has been a recipient of the KPBS Patte Award and San Diego Theatre Critics Circle Award for his work as an actor and as a director. He has been a faculty member at Palomar College, University of San Diego, and California State University San Marcos and is the founder of Actors Approach, a weekly private acting class. He received his master’s degree from the Actors Studio Drama School at the New School for Social Research in New York.
JESSICA JOHN (Sylvia) is delighted to return to diversionary Theatre where she previously appeared in Pulp! (co-production with Moxie)and A Bright Room Called Day (co-production with Backyard Productions). Other select San Diego productions include ion Theatre: Angels in America; Moonlight Avo Theatre: The Mousetrap, Barefoot in the Park, Ring Round the Moon; Cygnet Theatre (Resident Artist): Private Lives, Noises Off (SD Critic’s Circle – Best Ensemble), Mauritius, Love Song, Desire Under the Elms, Communicating Doors (Patte – Best Production), Cat on a Hot Tin Roof (SD Playbill – Best Actress), Burn This (SD Critic’s Circle – Best Actress); North Coast Repertory Theatre: Lend Me a Tenor, A Shayna Maidel; New Village Arts: The Playboy of the Western World (Patte – Best Actress); and Renaissance Theatre: A View from the Bridge (SD Critic’s Circle – Best Actress). She was named one of the top 50 People to Watch by San Diego Magazine.
BRIAN MACKEY (Oliver) Previously at Diversionary: The Little Dog Laughed, As Much As You Can, Corpus Christi. Elsewhere: In the Next Room or The Vibrator Play (San Diego Rep); The Glass Menagerie, The History Boys (Cygnet); The Woolgatherer, Bash: Latter-Day Plays, Jack Goes Boating, All in the Timing, A Streetcar Named Desire, The Grapes of Wrath (ion Theatre); An Enemy of the People (Intrepid); A Christmas Carol (’07, ’08, ’09), Little Women (North Coast Rep); Night Sky (Mo’olelo); The Heidi Chronicles, Julius Caesar (New Village Arts); Side Man (BANG!); If The Shoe Fits (Coronado Playhouse); The Best Mistake (Playwrights Project). Regional credits include The Playboy of the Western World (Cinnabar Theatre); A Bright Room Called Day (Actor’s Theatre); No. 11 Blue and White (ABYDOS Theatre). Brian was awarded the 2011 SD Critics Circle Actor of the Year and is a Resident Artist at ion theatre and a Company Member of Cygnet Theatre.
DANGERFIELD G. MOORE (Doctor, Man, Peter) Dangerfield is thrilled to be involved with Diversionary. He was previously seen at Diversionary as Bill in Learn to be Latina and Gaveston in Edward II. He also played Enrico in A Roman Holiday (Coronado Playhouse). North Coasts Reps production of Henry 4 Part 1 and Vanguards production of Hamlet. He has extensive credits on stage and in film. He received his Bachelor’s in drama from the University of Pittsburgh.
GLENN PARIS (Director) is the producing artistic director of ion theatre company here in San Diego and co-directed with Claudio Raygoza the Diversionary/ion co-production of Bent. Directing credits for ion include, Angels In America Parts 1 And 2 (with Claudio Raygoza), Request Programme (2008, 2012), Grace, The Woolgather, Bash: Latterday Plays (2012, 2008), Wonder Wounded Heroes, Hurlyburly (San Diego Critics Circle/Craig Noel Award~Outstanding Ensemble), All In The Timing, Speed-The-Plow, In A Dark, Dark House, The Cripple of Inishmaan, La Gaviota, Punks (Patte Award, Outstanding Ensemble), The Glass Menagerie, Krapp’s Last Tape. As an actor for ion, he performed in Mud and The Chairs. For 6th @ Penn: Adam Baum; for Playwrights Project, Step Into The Night. In NYC, Revering The Dark at The Kitchen; The Flip Side, After All, The Roadblock at HB Playwrights (former Artistic Director). MFA, Directing Carnegie Mellon University. With Claudio Raygoza, Mr. Paris was named Producer of the Year 2010 by the San Diego Critics Circle and ion received the first Don Braunagel Award this year from the Circle for Angels In America.
FOR IMMEDIATE RELEASE
March 6, 2012
Contact: John Alexander 619.220.6830 jalexander@diversionary.org
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The Pride
at Diversionary Theatre
San Diego, CA – After successful runs in London and New York, Alexi Kaye Campbell’s The Pride makes its San Diego premiere in an all-new production at Diversionary Theatre.
THE PRIDE
By Alexi Kaye Campbell
Directed by Glenn Paris
Featuring Francis Gercke, Jessica John, Brian Mackey, Dangerfield G. Moore
at Diversionary Theatre
Beginning April 5
The Pride is a time-shifting exploration of identity and passion. Oliver, Philip, and Sylvia are caught in a love triangle. Their complex and tumultuous relationship shifts from the repression of 1958 to the sexual liberation of 2008 and back again. Characters in the past and modern-day share the same names and are played by the same actors. It starts in 1958 with Philip, an uptight estate agent, and his wife Sylvia, who are entertaining a young novelist, Oliver. There is an unspoken but palpable tension that results in a passionate and guilt-ridden affair between Philip and Oliver. Sylvia is filled with deep loneliness and caught in a loveless marriage. In 2008, Oliver is a sex-addicted journalist who longs to get back together with his ex, Philip. Sylvia plays the friend stuck in the middle.
2011 Craig Noel winning director Glenn Paris (Angels in America part 1 and 2) directs this thought-provoking look at love, betrayal, and personal pride by Alexi Kaye Campbell. Featuring four of San Diego’s most acclaimed actors, Francis Gercke (Philip), Jessica John (Sylvia), Brian Mackey (Oliver), and Dangerfield G. Moore (Doctor, Man, Peter).
The design team includes Matt Scott (scenic), Michelle Caron (lighting), David Medina (props), and Trista Roland (costumes).
Paris was drawn to the theme of pride in the play, saying, “The character, Oliver in 2008 makes the argument that one should be proud of who they are, in his case a gay man, and the play develops the idea that taking pride in ourselves is political within the context of community. The playwright, Alexi Kaye Campbell furthers the idea by developing the theme that pride in one’s community is necessary for change.” He is also drawn to challenging roles for the actors, “The Pride is unique in its style and a lot of fun for the three principal actors as they alternate between playing characters in 1958 and 2008. Their names are the same but they are different people in different relationships.”
About the Company:
GLENN PARIS (Director) is the producing artistic director of ion theatre company here in San Diego and co-directed with Claudio Raygoza the Diversionary/ion co-production of Bent. Directing credits for ion include, Angels In America Parts 1 And 2 (with Claudio Raygoza), Request Programme (2008, 2012), Grace, The Woolgather, Bash: Latterday Plays (2012, 2008), Wonder Wounded Heroes, Hurlyburly (San Diego Critics Circle/Craig Noel Award~Outstanding Ensemble), All In The Timing, Speed-The-Plow, In A Dark, Dark House, The Cripple of Inishmaan, La Gaviota, Punks (Patte Award, Outstanding Ensemble), The Glass Menagerie, Krapp’s Last Tape. As an actor for ion, he performed in Mud and The Chairs. For 6th @ Penn: Adam Baum; for Playwrights Project, Step Into The Night. In NYC, Revering The Dark at The Kitchen; The Flip Side, After All, The Roadblock at HB Playwrights (former Artistic Director). MFA, Directing Carnegie Mellon University. With Claudio Raygoza, Mr. Paris was named Producer of the Year 2010 by the San Diego Critics Circle and ion received the first Don Braunagel Award this year from the Circle for Angels In America.
FRANCIS GERCKE (Philip) has appeared in theatre productions throughout San Diego including Proof, The Merchant of Venice, In the Next Room, In the Wake (San Diego Rep); Cat on a Hot Tin Roof, Love Song, Tragedy of the Commons, Desire Under the Elms, OurTown, The Glass Menagerie (Cygnet Theatre); A Life in the Theatre (NCRT); Hurlyburly, Grace (ion Theatre); True West, Orphans, Three Sisters, A Hatful of Rain, The Only Game in Town, The Waverly Gallery, Nocturne, Playboy of the Western World (New Village Arts). Directing credits include A Lie of the Mind, Three Sisters, Playboy of the Western World, A Hatful of Rain, The Only Game in Town (New Village Arts); Mauritius, Dying City, The Man from Nebraska, Curse of the Starving Class (Cygnet Theatre). He is co-founder and former artistic director of the theatre company New Village Arts and the former associate artistic director of Cygnet Theatre. He has been a recipient of the KPBS Patte Award and San Diego Theatre Critics Circle Award for his work as an actor and as a director. He has been a faculty member at Palomar College, University of San Diego, and California State University San Marcos and is the founder of Actors Approach, a weekly private acting class. He received his master’s degree from the Actors Studio Drama School at the New School for Social Research in New York.
JESSICA JOHN (Sylvia) is delighted to return to diversionary Theatre where she previously appeared in Pulp! (co-production with Moxie)and A Bright Room Called Day (co-production with Backyard Productions). Other select San Diego productions include ion Theatre: Angels in America; Moonlight Avo Theatre: The Mousetrap, Barefoot in the Park, Ring Round the Moon; Cygnet Theatre (Resident Artist): Private Lives, Noises Off (SD Critic’s Circle – Best Ensemble), Mauritius, Love Song, Desire Under the Elms, Communicating Doors (Patte – Best Production), Cat on a Hot Tin Roof (SD Playbill – Best Actress), Burn This (SD Critic’s Circle – Best Actress); North Coast Repertory Theatre: Lend Me a Tenor, A Shayna Maidel; New Village Arts: The Playboy of the Western World (Patte – Best Actress); and Renaissance Theatre: A View from the Bridge (SD Critic’s Circle – Best Actress). She was named one of the top 50 People to Watch by San Diego Magazine.
BRIAN MACKEY (Oliver) Previously at Diversionary: The Little Dog Laughed, As Much As You Can, Corpus Christi. Elsewhere: In the Next Room or The Vibrator Play (San Diego Rep); The Glass Menagerie, The History Boys (Cygnet); The Woolgatherer, Bash: Latter-Day Plays, Jack Goes Boating, All in the Timing, A Streetcar Named Desire, The Grapes of Wrath (ion theatre); An Enemy of the People (Intrepid); A Christmas Carol (’07, ’08, ’09), Little Women (North Coast Rep); Night Sky (Mo’olelo); The Heidi Chronicles, Julius Caesar (New Village Arts); Side Man (BANG!); If The Shoe Fits (Coronado Playhouse); The Best Mistake (Playwrights Project). Regional credits include The Playboy of the Western World (Cinnabar Theatre); A Bright Room Called Day (Actor’s Theatre); No. 11 Blue and White (ABYDOS Theatre). Brian was awarded the 2011 SD Critics Circle Actor of the Year and is a Resident Artist at ion theatre and a Company Member of Cygnet Theatre.
DANGERFIELD G. MOORE(Doctor, Man, Peter) Dangerfield is thrilled to be involved with Diversionary. He was previously seen at Diversionary as Bill in Learn to be Latina and Gaveston in Edward II. He also played Enrico in A Roman Holiday (Coronado Playhouse). North Coasts Reps production of Henry 4 Part 1 and Vanguards production of Hamlet. He has extensive credits in stage and film. He received his Bachelor’s in drama from the University of Pittsburgh.
About Diversionary
Diversionary Theatre develops new works and produces plays and musicals that explore the issues, characters, and stories of the lesbian, gay, bisexual and transgender (LGBT) community in all its complexity and diversity. Founded in 1986 to bring to light important social issues that impact the quality of life of LGBT people, the company has grown into a professional theatre company producing a season of mainstage plays and musicals as well as nurturing LGBT artists in the development of new works of theatre through new play commissions, readings, and workshops. We regularly collaborate with other theatre and arts groups to present special events and co-productions of mainstage plays, thus involving a wider arts community in our mission.
Performance Details:
Performances run from April 5 through May 6, 2012, at Diversionary Theatre 4545 Park Blvd. San Diego CA 92116. Previews April 5 and 6. The official opening night is Saturday, April 7. Ticket prices are $31-$33, Previews (April 5 & 6) $20.00.
For more information or to arrange interviews, please contact Justen Stevens at
619. 220.6830 or jstevens@diversionary.org
Critical Acclaim for The Pride:
“The Pride is a touching and structurally ingenious examination of changing attitudes in Britain towards homosexuality.” –The Daily Telegraph
“…such engrossing handling…it’s truly remarkable” –Variety
“…a heartfelt work…
REVIEWS
UT San Diego: Roxana Popescu says:
“Funny and cutting, the writing in ‘The Pride’ is at its finest.”
StageSceneLA: Steven Stanley says:
“…you’d be hard pressed to find a better cast than Diversionary.”
Charlene Baldridge says:
“…the production is so beautiful, the language so precise, the acting so fine…”
SanDiego.com: Bill Eadie says:
“The quality of the acting is by itself enough to recommend this production.”
LGBT Weekly: Tom Andrew says:
“The Pride, with its top-notch direction, and definitely some of San Diego’s most engaging actors, is a piece not to be missed.”